Persian poetry 1- Sanai…

The court of Sultan Mahmud of Ghazna

I have been reading some Persian poetry.

My reason for doing this was simply because I knew nothing about Persian poetry- and in these times when the Western world is increasingly at war with most of the Eastern world, it seemed important to understand a little more the rich cultural subsoil that Middle Eastern Islamic civilisations grew within.

I post these bits and pieces like bit of a beautiful mosaic found in a river bed. I do not understand the whole picture- and never will, but I am starting to appreciate it some of its quality.

Beauty, humanity, truth, humour, a search for meaning and a longing for God.

And to encounter the culture through poetry seems to me right somehow. I suppose this is because I write poetry, but also I think this is because these poems are still alive. They have none of the dust of history.

The first poet I want to quote is Sanai.

We know little about him. He died around 1150, and was a subject of Bahramshah, one of the rulers of the Ghaznavids– whose empire covered much of the middle East- and was centred around Garzna, in what is now Afghanistan. He is thought to have been a court poet, who became dissatisfied with the shallow life of court and left to follow Hajj to Mecca.

So here are three poems of Sanai. Let them rest on you for a while-

Streaming (excerpt)

When the path ignites the soul,

there is no remaining in place

The foot touches the ground,

but not for long

The way where love tells its secret

Stays always in motion

And there is no you there, and no reason

The rider urges his horse to gallop

and so doing, throws himself

under the flying hooves

In love-unity there’s no old or new

Everything is nothing

God alone is

The puzzle

Someone who keeps aloof from suffering

is not a lover. I choose your love

above all else. As for wealth

if that comes, or goes, so be it.

Wealth and love inhabit seperate worlds.

But as long as you live here inside me

I can not say that I am suffering.

The time needed

Years are needed before the sun working on

a Yemini rock can make a bloodstone

Months must pass before cotton seed

can provide a seamless shroud

Days go by before a handful of wool

Becomes a Hater rope

Decades it takes a child

To change into a poet

And civilisations fall and are ploughed under

To grow a garden on the ruins

The true mystic

My Uncle Napoleon, and Iranian culture…

I recently confessed to an attempt to find a deeper understanding of Islamic cultures through reading literature.

The books I read were wonderful, but very much from a western perspective. I needed to adventure a bit further- and given that this was around the edges of bits of leisure time, I needed it to be reasonably digestible.

This evening, I watched two programmes on BBC 4 about Iran. One of them was about this book

my uncle napoleon

This book (and this programme) deals with a different part of Iranian history- that we British people are very ignorant about- that is the occupation and manipulation of Iran as part of the power struggles first with Imperial Russia, and later as a way of ensuring the continued flow of oil to fuel our battleships. 4 separate invasions, and 100 years of political manipulation.

And we wonder why Iran today has no trust of western powers whatsoever?!

The second programme (also available on the i-player, here) follows a BBC foreign correspondent on a journey through his homeland- again Iran. It shows the beauty of the countryside, then richness of the culture, and the vibrant life of the people. It paints a picture of a country a million miles from the dark satanic oppressed place that we may have been led to understand. The film was almost certainly made under reporting restrictions, and does seem just a little too air brushed- almost like a tourist board film- but it is well worth watching.

And it reminded me that it was time I read some more Persian poetry- Rumi, Hafez and Saadi for example. 600 years of distilled beauty, spirituality and culture both alien, and yet so very familiar. The turning of seasons, and the preoccupations of love and and the approach of death…