Seamus Heaney, perhaps the greatest living poet, died yesterday. I thought it appropriate to post some of his poetry…
Firstly, let us hear him read something- it gives some idea of the warmth and humour of the man;
Next, here are a couple of poems in word form. Almost always the best way to catch a poem in the soul. The first one about the process of writing (and so much more)
DiggingBetween my finger and my thumbThe squat pen rests; snug as a gun.Under my window, a clean rasping soundWhen the spade sinks into gravelly ground:My father, digging. I look downTill his straining rump among the flowerbedsBends low, comes up twenty years awayStooping in rhythm through potato drillsWhere he was digging.The coarse boot nestled on the lug, the shaftAgainst the inside knee was levered firmly.He rooted out tall tops, buried the bright edge deepTo scatter new potatoes that we picked,Loving their cool hardness in our hands.By God, the old man could handle a spade.Just like his old man.My grandfather cut more turf in a dayThan any other man on Toner’s bog.Once I carried him milk in a bottleCorked sloppily with paper. He straightened upTo drink it, then fell to right awayNicking and slicing neatly, heaving sodsOver his shoulder, going down and downFor the good turf. Digging.The cold smell of potato mould, the squelch and slapOf soggy peat, the curt cuts of an edgeThrough living roots awaken in my head.But I’ve no spade to follow men like them.Between my finger and my thumbThe squat pen rests.I’ll dig with it.Seamus Heaney,
“Digging” from Death of a Naturalist. Copyright 1966 by Seamus Heaney.
Next something far darker;
LimboFishermen at Ballyshannon
Netted an infant last night
Along with the salmon.
An illegitimate spawning,A small one thrown back
To the waters. But I’m sure
As she stood in the shallows
Ducking him tenderlyTill the frozen knobs of her wrists
Were dead as the gravel,
He was a minnow with hooks
Tearing her open.She waded in under
The sign of the cross.
He was hauled in with the fish.
Now limbo will beA cold glitter of souls
Through some far briny zone.
Even Christ’s palms, unhealed,
Smart and cannot fish there.
Next, something of Heaney’s courage in the face of the violence in Ireland;
Funeral Rites
I shouldered a kind of manhood
stepping in to lift the coffins
of dead relations.
They had been laid outin tainted rooms,
their eyelids glistening,
their dough-white hands
shackled in rosary beads.Their puffed knuckles
had unwrinkled, the nails
were darkened, the wrists
obediently sloped.The dulse-brown shroud,
the quilted satin cribs:
I knelt courteously
admiting it allas wax melted down
and veined the candles,
the flames hovering
to the women hovering
behind me.
And always, in a corner,
the coffin lid,
its nail-heads dressedwith little gleaming crosses.
Dear soapstone masks,
kissing their igloo brows
had to sufficebefore the nails were sunk
and the black glacier
of each funeral
pushed away.II
Now as news comes in
of each neighbourly murder
we pine for ceremony,
customary rhythms:the temperate footsteps
of a cortège, winding past
each blinded home.
I would restorethe great chambers of Boyne,
prepare a sepulchre
under the cupmarked stones.
Out of side-streets and bye-roadspurring family cars
nose into line,
the whole country tunes
to the muffled drummingof ten thousand engines.
Somnambulant women,
left behind, move
through emptied kitchensimagining our slow triumph
towards the mounds.
Quiet as a serpent
in its grassy boulevardthe procession drags its tail
out of the Gap of the North
as its head already enters
the megalithic doorway.III
When they have put the stone
back in its mouth
we will drive north again
past Strang and Carling fjordsthe cud of memory
allayed for once, arbitration
of the feud placated,
imagining those under the hilldisposed like Gunnar
who lay beautiful
inside his burial mound,
though dead by violenceand unavenged.
men said that he was chanting
verses about honour
and that four lights burnedin corners of the chamber:
which opened then, as he turned
with a joyful face
to look at the moon.
Finally, something that makes us live a moment with him in wild places;
PostscriptAnd some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open