Hanging like old cobwebs
In a shipyard shed
The Clyde is fogged
The far bank
Invisible
And the flow of the old river
Is slowed by friction
Wrapped around
Rolling still, but slow
Like the year
Now passing
I sat in my office this lunchtime, thinking about death.
There is a lot of it about.
Not me of course. I will last for ever.
For most of us, death is a foreign country- one which we are unlikely ever to visit- Moldova or Uzbekistan.
So much of what we do is focussed on avoiding it, delaying it as long as possible, pushing it into the background.
It is no way to live.
So I wrote this poem…
Something is going to kill me
In the end it will polish me off
This machine comes with built-in obsolescence
And already my bearings run rough
.
Perhaps my blood will turn orange
Or my bones will powder like chalk
My brain is sure to malfunction
And my feet will forget how to walk
.
I may be squashed like a bug by a lorry
Or an elm tree will fall on my skull
An arrow of misfortune will stick me
As I am gored by a runaway bull
.
Perhaps we live love then fertilise loam
And this heaven-talk is really moronic
Or perhaps there is something aerodynamic in me
Shaped to go supersonic
I love this image- if it is yours, sorry I pinched it- from here…
Ways of life
.
For some life is lived in the measuring
Of every moment
In raising high the cup of experience
And drinking it dry
.
Life too is like a dark forest
A dark green shadow
Oozing out its fungal fingers
Spreading secret spores
Unnoticed
But irrepressible
.
Life may be a blazing flare
Across the stormy night sky
Burning an arc into the retina
Should you look its way
.
Life too is an ember whose glow
Was borrowed by proximity
Given
Then gone
.
Or life may be a bubble
In a clear blue stream
Dancing with the bouncing pebbles
And waltzing among the weeds
.
Then rising
.
Detained briefly by the surface tension
Going through
.
And beyond
The Goans are off on a traditional British summer holiday.
Cue for a song- take it away Cliff…
(Nice little misogynist twist at the end there!)
This year we are heading to Whitby, on the Yorkshire coast- a familiar old place for us, as we had our Honeymoon at Robin Hood’s Bay almost 20 years ago. We have fond memories of parking our Citroen 2cv with it’s bumper against a lamp post as neither the hand brake nor leaving it in gear would hold it on the steep cobbled street.
The blog will be quiet for a couple of weeks
For those of you who are staying at home, or travelling- may you find rest. May there be some mid summer Jubilee.
May the noise of children mingle with the sound of sea gulls to conjure up best memories of your own childhood.
May the days rest soft and the nights be kind.
And may God hold you in the palm of his hand…
There is a time for all things under heaven
A time for marram grass to move
In gentle air
And for the dying sun
To turn all green things gold
To alchemise the evening
Into a luminal place
On the twilit edge
Between here
And thereA time when the last call of the curlew
Will echo away over the dimming mountains
And the stillness is itselfWhispering
A time for this day
To silence
The soul
From ‘Listing‘.
I am doing some work on a new collection of poetry.
I have been writing poetry for many years- with spikes and troughs of productivity. I wanted to do something with some of the things I had written. It is hard work though- I find looking at things that I wrote a few years ago quite hard. The emotional meaning that they bring to me is muted by the passage of time, and for me poetry is perhaps above all an emotional thing.
Others may focus on the technical and cerebral aspects of poetry, but I think I am a bit too lazy for all that stuff… although I tinker a bit on the edges.
So rather than doing what I should be doing and organising and editing, I am writing new things.
I did come across this the other day though-
Meaning
.
At the end of it all,
When history finally catches up with its vanishing point
What elements of you and me will still carry meaning?
Are we really no more than a knot along an evolutionary string?
Perhaps near the end
But then again, what a conceit that is-
Maybe we are nearer the beginning
.
Will all things pass,
Or are we elemental
Like the carbon molecules that mould us?
.
What might survive?
Truth
Beauty
Grace
Poetry singing in the soul
The flicker of a rising sun
In an old man’s eyes
The heart stings of hope
And the passing of glances
From father
To son
.
For what value have frescoes?
Icons?
But the truth they speak
Is in the filter
Of the eyes
They fall on
.I am brought back to the Bible
Like a phantom itch in a missing limb.
.
To the cynical meanderings of the writer of Ecclesiastes.
And the beginning of it all in Genesis.
.
The end described in the wild narcotics of the Apocalypse of John.
.
And I stand still on the promise of a new kingdom
Here on the earthBut interconnected with a mysterious elsewhere
.
And the soft uncertain space.
Within
I read recently that attendance at services held within English Cathedrals are growing around 4% each year since the Millennium.
No surprise really. What they offer to post modern people is a connection to something pre-modern- a rediscovery of a liturgical and spiritual tradition that goes back a thousand years. It is made visible in a ancient glass and stone, and comes alive with the continued traditions of worship and seasonal observation.
I love Cathedrals. They are one of the things that I really miss about England. They survived the puritans and the Civil War almost intact, and continue to be at the heart of most of the major cities.
On the way back from out recent trip to Telford, Michaela and I visited Lichfield Cathedral, and attended the end of the afternoon service. There has been a Cathedral here since 700 AD, built to house the bones of St Chad. Fragments of this building remain, along with the Lichfield Gospels which date to around 730AD.
But the impact of the place on Michaela and I was not anything to do with historical facts though. We sat in awe as the light filtered into the ancient building. And the sound of the choir singing away in the distance found a way through the old stone arches.
And we both cried…
Cathedrals make me cry
It was the powdered bones of St Chad
Mingled with the dust made
By the masons in the soaring north transept-
Some of it lodged in my eye
.
Or perhaps it was a glint in the light
Falling through ancient glass
On a flag floor polished into smooth undulations
By the leather of a hundred thousand pilgrims
.
Or perhaps it was the west wing
Stuffed with memorials to men speared and shot
In empire battles long forgotten
Tattered ensigns flying the cross of Jesus over genocide
Or perhaps it was the music of a choir
At first half heard and half imagined
Like the very stones breathing
Then a rolling on me like a wave, lifting me on a last Amen
.
I know not what will bring meaning
To men 1000 years from now
Or what towers they will point towards God
All I know
Is that Cathedrals make me cry
The grass is too long
Mossed by a hundred wet summers
Rolling in from the western sea
Deadening the bounce
And flattering my feeble attempts
At shape and spin
Cutting out all shots
Apart from sweep and drive
.
But to me and my boy
This too is sacred turf
Our ‘Lords’
.
Where memories are made
By crafty curl of leather
And the joyous crack of willow
As the bat hallelujahs its connection
.
And the trees around the field
Clap their hands
We spent some time sticking pictures at housegroup last night.
We had gathered loads of clippings from newspapers and magazines, and used them to construct a great big prayer of thankfulness.
And there was much laughter, and much friendship.
Which was a kind of prayer too…
Michaela read this poem by Robert Siegel–
A Song of Praises
for the gray nudge of dawn at the window
for the chill that hangs around the bed and slips its cold tongue under the covers
for the cat who walks over my face purring murderously
for the warmth of the hip next to mine and sweet lethargy
for the cranking up the hill of the will until it turns me out of bed
for the robe’s warm caress along arm and shank
for the welcome of hot water, the dissolving of the nights stiff mask in the soft washcloth
for the light along the white porcelain sink
for the toothbrush’s savoury invasion of the tomb of the mouth and the resurrection of the breath
for the warm lather and the scrape of the razor and the skin smooth and pink that emerges
for the steam of the shower, the apprehensive shiver and then
its warm enfolding of the shoulders
its falling on the head like grace
its anointing of the whole body
and the soap’s smooth absolution
for the rough nap of the towel and its message to each skin cell
for the hairbrush’s pulling and pulling, waking the root of each hair
for the reassuring snap of elastic
for the hug of the belt that pulls all together
for the smell of coffee rising up the stairs announcing paradise
for the glass of golden juice in which light is condensed and the grapefruit’s sweet flesh
for the incense of butter on toast
for the eggs, like twin peaks over which the sun rises
and the jam for which the strawberries of summer have saved themselves
for the light whose long shaft lifts the kitchen into the realms of day
for Mozart elegantly measuring out the gazebos of heaven on the radio
and her face, for whom the kettle sings, and the coffee percs
and all the yellow birds in the wallpaper spread their wings
Ahhh.
I think I like this bloke’s poems.
(Although to be honest, I am not usually that grateful in the morning.)