Fiddle flash mob, Kelvingrove…

Emily spent a day doing some fiddle workshops in Glasgow yesterday- and they decided to invade Kelvingrove gallery/museum in a kind of flashmob event.

Michaela had just enough power on the battery of her camera to record this- but we managed to miss getting Emily in frame at all!

I love simple creative flashmobs- the pleasure that they give to people. I suppose there has to be a limit to them or it will all go a bit mad. The staff in Kelvingrove certainly thought so- they only managed a couple of tunes inside.

The shadow of John Knox…

We tried to visit Glasgow Cathedral again today. The last time we were turned away as the Cathedral was ‘about to close’. Today we were turned away again as there was a service ‘about to start’ (the service was due to start in an hour.) It is not really fair to generalise from this limited experience, but we certainly did not feel welcome.

Perhaps we look like heretics?

Above the Cathedral, on the top of the hill that is Glasgow Necropolis, stands the John Knox monument- a reproachful finger wagging against the sky.

The Cathedral only just survived John Knox’s reformation. Stripped of all it’s ancient finery- its statues and pictures, along with all objects associated with ‘Popery’, but still the mob tried to burn it down- held back only by the Guilds men.

So was unleashed a time of repression in the name of freedom and violence in the name of peace. Driven by fervency and ‘truth’- religion used as a political meat tenderiser.

Did anything good come out of reformation? Was it necessary? Was it inspired of God- commanded by his angels and energised by his Spirit? My current answers to these questions are- Yes. Not sure. Don’t think so.

We used to talk of reformation being constant- it was not a one off event following which we had achieved Christian nirvana, but was rather a process of constant engagement with the refiners fire. This always seemed to be an aspirational thing for the most part however- that moralistic therapeutic Deism thing again.

My ambivalence about the Reformation is more in relation to my hope for a new kind of gentle reformation- a change again in emphasis, away from right belief and correct religious practise, towards the…. other. A kind of faith that inspires us to be agents of love, joy, peace, patience, kindness, goodness. And none of these things should be subordinate to pious correctness.

John will turn in his grave.

Or perhaps he will look at the course of his own reformation, and agree with me.

 

A big bite of Auden…

I discovered this poem recently by W H AudenHorae Canonicae…

I have not read a lot of Auden- although we have all heard the ‘stop the clocks’ poem used to such brilliant effect in ‘4 weddings and a funeral’-

Even though this poem has had such over exposure, it still reeks with emotion and grief- and manages to put something into words that we all instinctively feel to be ‘true’.

What I did not know was that Auden was a Christian- both his grandfather’s were Anglican ministers, and although he lost his faith as a boy, he found it again in later life, thanks to encountering the writings of Søren Kierkegaard and Reinhold Niebuhr and partly too because of the influence of Charles Williams.

Auden lived a life in interesting times- the clash of great ideologies, and the world war. He was a socialist Englishman who lived in New York, eventually becoming an American citizen. He was gregarious loner and a gay man who longed for the sanctity of marriage.

And he wrote beautiful, sublime poetry, including a collection of poems based around the canonical hours– called ‘Horae Canonicae’.

So here is a slice of it. You can read the whole here.

Anywhere you like, somewhere

on broad-chested life-giving Earth,

anywhere between her thirstlands

and undrinkable Ocean,

the crowd stands perfectly still,

its eyes (which seem one) and its mouths

(which seem infinitely many)

expressionless, perfectly blank.

The crowd does not see (what everyone sees)

a boxing match, a train wreck,

a battleship being launched,

does not wonder (as everyone wonders)

who will win, what flag she will fly,

how many will be burned alive,

is never distracted

(as everyone is always distracted)

by a barking dog, a smell of fish,

a mosquito on a bald head:

the crowd sees only one thing

(which only the crowd can see)

an epiphany of that

which does whatever is done.

Whatever god a person believes in,

in whatever way he believes,

(no two are exactly alike)

as one of the crowd he believes

and only believes in that

in which there is only one way of believing.

Few people accept each other and most

will never do anything properly,

but the crowd rejects no one, joining the crowd

is the only thing all men can do.

Only because of that can we say

all men are our brothers,

superior, because of that,

to the social exoskeletons: When

have they ever ignored their queens,

for one second stopped work

on their provincial cities, to worship

The Prince of this world like us,

at this noon, on this hill,

in the occasion of this dying.

Kilmory Knap Chapel, and the ancient carved stones…

Some photos of a recent trip to Kilmory chapel, out along Loch Sween.

It over looks the island on which our last Aoradh wilderness retreat was held in May, but I had never been there before.

This Chapel was built in the early 13th Century, as an outlying chapel of Knapdale Parish. It fell into disuse some time around the reformation, but continued to be used as a burial ground.

It now houses a collection of carved grave stones collected from the graveyard- carved by masons on Iona, Loch Aweside and elsewhere. Many of them are glorious medieval 15th C works, with intricate knot work, or effigies of knights now long dead.

There are also standing crosses, carved with hunting scenes on one side, and a Crucifixion scene on the other.

But the most evocative stones are the early Christian ones- which marked the graves of people from the days of the missionary Celtic Saints- whose footsteps are everywhere hereabouts.

V and A post modernism exhibition…

Interesting discussion about the old P word on R4’s ‘Start the week’ this morning- relating to a new Victoria and Albert Museum exhibition of all things post modern (defined as between 1970 and 1990.)

Post modernism is a term that has rattled around the edges of so many ’emerging church’ conversations and so if it was not quite so far away I would go. Emily is going soon though with school…

Here is the blurb on the beeb-

Once described as “the Swiss Army knife of critical concepts”, Postmodernism is one of the most slippery, fragmentary and contradictory of movements. At the Victoria & Albert Museum’s new exhibition, an angular Grace Jones vies for attention with a pink granite skyscraper and David Byrne’s over-sized suit. Forged as a challenge to the orthodoxy of modernism, its style revolution came to the fore in the 1970s and 80s. The co-curator, Jane Pavitt, argues that although postmodernism is now dead, its irony, exuberance and subversion have left a lasting legacy in the world of design.

I enjoyed the discussion this morning- a few things stood out-firstly the curator, Jane Pavit was describing the early architectural movement as being almost obsessed with ruined buildings, broken things and post industrial industrial degradation. Almost as if in chewing on the END of modernism, it had to be endlessly picked over.

‘Like we have done to all things church’ I thought to myself.

The next thing that stood out was a critical voice asking a familiar questions as to whether post modernism was ever really any different from modernism- just a reformulation of the same old same old.

‘Like the whole emerging church idea is in danger of becoming’ I thought to myself.

Finally, the question was asked concerning what next? Post post modernism? The view expressed on the programme was that now all bets are off, all things are possible, and there are no uniform categories possible.

‘What does this mean for church?’ I thought to myself.

Hmmmmm.

Aoradh worship gathering…

 

 

(An old photo of one of our gatherings.)

We are just back from our monthly worship gathering with Aoradh. We had planned to use a larger space this week, as people had expressed a desire to sing. That old fashioned, uncool kind of worship from the 80’s and 90’s- you may remember… (More on this later.)

In the end we used Andy and Angela’s big lounge, and we had power points reflections, music, communion, sharing and lots of other simple but lovely things- oh and we sang too. All the elements of our worship were collected in the moment- prepared by different people, but it all fitted together remarkably well.

Then, as is our way, we ate. Lots.

To meet with such lovely people and worship is such a blessing. There are times to look up, to look in and to look out. Today we mostly looked up, but because we did this together it was all the more special.

To finish, we pinched a blessing that Jonny mentioned that Grace had used recently- a lovely one by John O’Donahue. We cut it up, and circulated it, asking people to read the one they had chosen, and to take it away as their own words. I ended up picking up two- the ones highlighted below.

May the blessings released through your hands
cause windows to open in darkened minds

May the suffering your calling brings
be but winter before the spring

May the companionship of your doubt
Restore what your beliefs leave out

May the secret hungers of your heart
harvest from emptiness its secret fruit

May your solitude be a voyage
into the wilderness and wonder of God

May your words have the prophetic edge
to enable the heart to hear itself

May the silence where your calling dwells
foster your freedom in all you do and feel

May you find words full of divine warmth
to clothe others in the language of dawn

May your potentiality be released
to explore new horizons of what’s possible

May your becoming bring gentle surprises
as you remember you’ve not arrived

A man needs a beard…

I am now about a month into the cultivation of something new for me- a beard. (No the photograph above is not of me.)

It is not much of a thing really- I do not have the nerve to go all ZZ Top. And it is decidedly grey or ‘silver’ as I like to call it.

But it is my own.

Changing your appearance like this after 44 years of a smooth hairless jawline is quite disturbing- but in a good way I think. It kind of marks another one of those life transitions, the passing of young man into- well slightly less young man. Oh all right- middle aged man.

There, I said it.

And it is really not so bad. Sure, I have a bad back, knees that sound like a bag of bones as I climb stairs, tennis elbows and the odd wrinkle or two, but today I spent a day with my lovely family- cutting grass, making bread, stacking logs and dodging showers. A day framed by rainbows and towering clouds, all the more lovely for a sense of something precious-  the drawing towards the end of summer. Days shorter, but still lovely. Evenings requiring the lighting of a fire, but perhaps the central heating can wait a while longer.

Michaela is ambivalent about the beard- she has always said she hates them, but I think she secretly likes mine.

Or perhaps it is just that she too feels the change in the seasons.

Thanks to the Unthanks…

Or perhaps un unthankyou (to torture a double negative.)

One of my highlights of Greenbelt festival was listening to The Unthanks– a totally surprising feast of gorgeous harmonies and instrumental arrangements.

And clog dancing.

I had heard the sisters Rachael and Becky sing before- and to be honest, despite being a lover of folk music- particularly of the northern British kind- I found it a bit too woolly-jumper-finger-in-the-ear. I could appreciate the history and the connection to something lost, but not quite be drawn in to the music.

I got round to ordering their recent album ‘last’-

This album combines lots of lovely things- wonderful songs, simple but sweet vocals, string quartet, guitar, piano- and the combination is beautiful.