Today I scratch another notch in the life calendar.
This seems as appropriate a thing to post as anything;
Today I scratch another notch in the life calendar.
This seems as appropriate a thing to post as anything;
This was Ian Adam’s ‘Morning Bell’ today. I love June Tabor’s voice, but this chimed with me particularly as the tone of the debate around Scottish independence often seems so ungenerous, spiteful even. This song celebrates a kind of England that I still love. It rises up from the soil, from the chaotic mix of people. It is less about empire, more about those who resisted it…
I rode out on a bright May morning like a hero in a song,
Looking for a place called England, trying to find where I belong.
Couldn’t find the old flood meadow or the house that I once knew;
No trace of the little river or the garden where I grew.
I saw town and I saw country, motorway and sink estate;
Rich man in his rolling acres, poor man still outside the gate;
Retail park and burger kingdom, prairie field and factory farm,
Run by men who think that England’s only a place to park their car.
But as the train pulled from the station through the wastelands of despair
From the corner of my eye a brightness filled the filthy air.
Someone’s grown a patch of sunflowers though the soil is sooty black,
Marigolds and a few tomatoes right beside the railway track.
Down behind the terraced houses, in between the concrete towers,
Compost heaps and scarlet runners, secret gardens full of flowers.
Meeta grows her scented roses right beneath the big jets’ path.
Bid a fortune for her garden—Eileen turns away and laughs.
So rise up, George, and wake up, Arthur, time to rouse out from your sleep.
Deck the horse with sea-green ribbons, drag the old sword from the deep.
Hold the line for Dave and Daniel as they tunnel through the clay,
While the oak in all its glory soaks up sun for one more day.
Come all you at home with freedom whatever the land that gave you birth,
There’s room for you both root and branch as long as you love the English earth.
Room for vole and room for orchid, room for all to grow and thrive;
Just less room for the fat landowner on his arse in his four-wheel drive.
For England is not flag or Empire, it is not money, it is not blood.
It’s limestone gorge and granite fell, it’s Wealden clay and Severn mud,
It’s blackbird singing from the May tree, lark ascending through the scales,
Robin watching from your spade and English earth beneath your nails.
So here’s two cheers for a place called England, sore abused but not yet dead;
A Mr Harding sort of England hanging in there by a thread.
Here’s two cheers for the crazy diggers, now their hour shall come around;
We shall plant the seed they saved us, common wealth and common ground.
By the way- the reference to the Diggers, in case you missed it, is to this lot– another part of our English history that we often forget.
PJ harvey guest edited Radio 4’s Today programme the other day, asking some searching questions about (among other things) Britain’s on going role in selling arms to the worlds more despotic regimes.
This led me to listening to some of her music. Previously I had found it a difficult listen- too much keening wierd singing, too much crashing and bleeping. I had not heard of her last album, entitled Let England Shake. It is full of references to a broken lovely England and our legacy of war making. Songs like this one;
or this one;
I am just sitting listening to Sams new Album, Cowboys and Moonbeams which arrived in the post today. Thanks Sam!
It it is sublime.
The musicianship is lovely, with all the ingredients that I love- fine guitar with understated piano and touches of dobro and steel. Much more however, the songs are saturated with a kind of broken beautiful humanity- the kind that breaks you open a little.
Sam Hill is one of the most talented musicians and songwriters I have ever heard. His back catalogue however is mostly many years old. In the interim he has been living a life blown around by tough things- and this is what these tender honest songs are about.
But when the last track is sung, life is enhanced for the listening.
The album will be available soon via Sam’s new website (online in the next few days.) Get yourself a copy, You will not regret it.
We hope that Sam (who was born in Scotland, but lives in Cornwall now, although with a Lancashire accent) will be coming up to Dunoon to do a living room gig. Watch this space…
Here is the only example of Sams work I could find on the net;
If this does not inspire you about the power of music to lift the human spirit then nothing ever will;
My friend Andrew Hill posted this on FB today, and it made me laugh out loud. Given the rather worthy tone of this blog of late, I thought it worth re-posting!
Also seemed relevant following a conversation yesterday with another friend who told me he had been at a wedding recently which featured an unhealthy smattering of 80’s worship songs, including the one about the trees of the field clapping their hands. He bet £5 that someone would shout ‘HOY’ at the end (if you do not know what I am talking about then be grateful.)
He won the bet however…
If anyone asked you to tell them what was the best live performance you ever heard – the one that sticks in your mind most – what would it be?
All that variety of music I have heard – the first stadium rock gig (U2) the first chorale (Bach’s Mass in B minor) the first time I heard Bruce Cockburn play the guitar and make a masterpiece out of words and virtuosity.
Yet the one I would select would be the performance of a man called Sam Hill, along with a band, playing at Calvary Christian Fellowship some time in the early 90s. Everything was lovely- I was there with my friends and my wife, most of us made music together, and were familiar with the sound rig, the acoustics, but what Sam was able to use them to achieve was sublime. Beautiful songs, delivered in a butter smooth Lancashire accent, soaring fiddle playing, and skillful guitar.
I played a support gig for Sam a year or so later- I still have a recording taken as a direct output of the sound desk. We sound scratchy, amateur, even though we had fun. Sam (who had turned up late, with half a band, guitars with pick ups that did not work) sounds gorgeous.
I lost touch with his music. We both moved away from Lancashire, me to Scotland, he to Cornwall. The next time I stumbled across anything he did was a lovely album of poetry and music that he did with Steve Stockman.
Flash forward ten years or so, and I was sitting with my mate Andy in the performance tent at Greenbelt Festival. Incidentally the last time Andy had been at Greenbelt (back in the 90s) he had been playing guitar in support of Sam. Someone had dropped out and so they had brought in a special guest- some bloke called Sam Hill.
The years had not been easy on him. The songs were dark and the voice had gathered some gravel. But every now and then, the music would break out of the cage and come alive.
I mention all this as Sam has been recording again it seems. Another old friend (Bob Fraser- another talented songwriter) posted this on FB. Get the album when it comes out, I will!
(No idea why this video will not load on the page- you will need to click on this link;)
I am a recent convert to the music of The Duckworth Lewis Method.
Made up of Irishman Neil Hannon (he of The Divine Comedy fame) and Thomas Walsh, they make melodic, strangely addictive pop music themed around- cricket! I had more or less left them alone previously as I have never really enjoyed comic songs- the music I like is usually introspective (some would say miserable.)
Tomorrow we are heading down to London for a few days, thanks to the hospitality of Alison and Malcolm. Emily is spending some time with Malcolm in his work as an Anesthetist at Kings Hospital, and William and I are going to visit some museums. He has never been to London, and the last time I was there was some time around 1987.
Will and I also have tickets to go to watch cricket at The Oval- so I thought I would share a little DLM music with you…
Some of you might need a little background to fully appreciate the song; it concerns a moment in the history of crickets greatest rivalry, between Australia and England, who play regular series of Test Matches for a tiny urn called ‘The Ashes.’ England are in the ascendancy at the moment, but for decades we always came second best in a two horse race. Much of this was down to a bleached blonde cocky Aussie called Shane Warne, whose ability to impart spin on a cricket ball mesmerised the hapless English batsman time and time again. He burst onto the scene in 1993, bowling what came to be called ‘The Ball of the Century.’ This was the first ball he ever bowled in England, to the rotund senior pro Mike Gatting. Gatting represented the old way- and Warne made him look like a dinosaur.
For the years before Warne, spin bowling was a junior cousin to fast bowling- all those tall West Indians who hurled the ball down at terrifying pace. Warne took what was a sedate largely toothless skill and turned it into something sexy, dangerous and full of spit and venom.
There is a beautifully written account of the impact of the ball here.
Or you could just watch it yourself;
Or just set all that aside and chuckle to the DLM version of the story;
There is some great music being made in Scotland- no surprise there, but there was some great stuff I had not heard of in the shortlist for the Scottish Album of the Year.
I particularly liked Admiral Fallow;
…and RM Hubbert
There are also some old favourites- Karine Polwart, and Lau for instance.
My mate Andy Prosser has spent years writing songs, playing music and home recording. He has finally decided to put together an album in a professional studio!
He is funding this through Kick Starter, a crowd funding website. Check it out here – you can listen to some of the demos of his music too.
More importantly, you can donate to the project, pass the link on to others, blog it, Facebook it, twitter it etc etc.
Go on, he is worth it. Andy is a talented bloke who has put in the hard miles as both a musician and a man to allow these songs to be formed in him. We need people of creativity like Andy more now than ever.