Greenbelt 2026, the return…

I am just back from Greenbelt festival, an annual event here in the UK that has been a place of great importance and connection for me. I first went as a young teenager in 1980 (hitchhiking there.) Back then it was all about music for me – Christian rock which made me feel like I was not alone in my strange Christian subculture. After a long break, I rediscovered the festival in the early 2000’s by which it had become a very different thing. Music was still there, but it was no longer only strange Christian bands, but from a wide spectrum of the mainstream. Faith was still there, but it tended to be outward facing, social justice focussed and often theologically progressive. For a long time, the festival fostered connections of the sorts of small ephemeral groups who were exploring the edges of faith. This move made it often derided by those of a more evangelical bent, but for me and many of my friends, it has been life changing.

The festival has continued to evolve and change, so that for a while it felt like both it and we had moved on – that it belonged now to a new generation. It was time for them to push the edges out further. We last attended about 10 years ago, until a chance to do some work showcasing Proost took us back there this year. I realised that in the archives of this blog are lots of other reflections on previous trips to the festival, so I decided to add one more.

The first thing to day is that (as with previous visits) the scale and breadth of the festival was overwhelming. I might have a plan to go to a talk/workshop/gig but this would rarely actually happen, as for me, it was all about the conversations, the lingering with friends old and new and stumbling accross something unexpected. This year, we had the delight of being there with my daughter Emily, her husband and our little three year old grandson. We tried to share him between us to I also had other duties. Alongside this, the Iona Community (of whom I am in the process of becoming a full member) have a venue at the festival with a programme of activities, so I was also keen to help out with some shifts behind the book store.

Back to the Proost element of our trip though… we have made some good progress with our ‘restart Proost’ project of late- our company now as has a new set of directors (we are still looking for a treasurer though- and others who have skills that will help with future sustainability) and we felt it was time to put ourselves out there a little amongst people who are interested in faith/art/justice. There is no better place or this than Greenbelt.

We were able to re-use an expanded version of the mushroom circle that had formed a part of the Proost Mycellium weekend in Glasgow last year. This exhibit explores the idea of deep connectedness to the God who loves things by becoming them – the god who is the substance and lover of all… the means of our becoming, our being and our relationships. I would go further than this and take on a reformed celtic idea of god being the deepest me within me and the deepest part of tree within tree. Here are some photos from the official GB photographer Mark Kensit (a lovely and super talented bloke.)

For myself and I know for Rob who was the original force behind this Proost reboot, the project has been hard going at times, like pushing a boulder up hill. So much to do, with so little time and (it certainly feels like) so little relevant talent and experience. This GB experience though felt like we had pushed the boulder up a hill and it was teetering on the pointy bit. I was truely a wonderful experience, and I am very sorry that Rob was unable to attend due to family illness.

What made it so special?

Firstly, by doing something tangible and ‘out there’, it was possible for both those who participated and others to get hold of the concept of what Proost is and might be in a much more real way.

Next, I got so spend some face to face time with Proost people I know mostly as a disembodied screen image or a distant phone call. Mark Berry and Lou, whom I have ‘known’ for years, through so many previous GB and emerging-y events… but perhaps for the first time I now feel I can count as a real friend. The same for Steve Page, who made a special trip for the day until driven away by mud… I also got some snatched times with Ant from Lofter, and met some of his family – once again I felt the sense of a deep and developing connection.

Then there was all the other significant meetings with people I already know and love- Chris and Penny Fosten, encounted totally unexpectedly whilst delivering my grandson to a children’s area (Chris has written’edited books for Proost in the past.) I also got to hear another old friend Vicky Allen at her poetry reading, and she later joined us at the mushroom circle to add to the reading there.

Then there were so many new conversations- far too many to mention here, but some of them already feel important and possibly leading to new Proost projects.

The other connecting point for me this year was with the Iona Community, who operate the Wild Goose tent at the festival, a venue for all sorts of book chats, interviews, worship events, workshops and so on. It was good to see some of my friends from the IC- Tom (and to meet Charles,) Ali and Pete, The Tracies, Marie, Ruth and so many more.

Lastly and by no means least, we got to spend time with out old friends and neighbours Simon and Ruth- and their son Nathan when he was not rushing of to direct the stewards. It has been too long!

There is no festival next year, which feels like a real shame, as they look for a new venue. The year after though, who knows? Can Proost do something larger scale?

Watch this space…

The migration installation at Greenbelt Festival

Proost advent 20…

Following the tradition of calling in favours from family, Chris asked his son Will to record himself singing this re-written version of everyone’s old favourite carol ‘In the bleak midwinter’… Will (who is a trad music player in various bands) had sung this version previously and does a simply stunning version here, somehow more powerful in its stark urban simplicity.

He recorded it on his phone inside a Glasgow tenement flat which he and his girlfriend Rachel are in the middle of renovating. It has no kitchen or bathroom, but it does have a piano.

The words are below…

Bleak midwinter

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What can I give him, wealthy as I am?

Does he need an i-phone or a well-aged Parma ham?

Should I bring him trainers, a pair of brand-new jeans?

Or Halo for the X-box (whatever the hell that means)

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In a tower block in Camden, a woman breaks her heart

Her credit score is hopeless, her marriage fell apart

Her cupboards all lie empty, her clothes are wafer thin

Her kids can thank the food bank for turkey from a tin

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If I were a kind man, I would bring good cheer

I would house the homeless, if for only once a year

I’d buy my cards from Oxfam, for virtue is no sin

I’d send some Christmas pudding to poor old Tiny Tim

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In the bleak midwinter, frosty winds still moan

And Mr Wilson’s waited ages to get the council on the phone

He’s worried cos his boiler has given up the ghost

And since Mabel got dementia, she feels cold more than most

.

If I were a wise man, I would do my part

I’d sell that gold and incense and invest it for a start

In gilt-edged annuities and solid pension schemes

For without good fiscal planning, what can ever be redeemed?

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In a lock-up by the roadside a bastard-child is born

To another teenage mother whose future looks forlorn

A host of heavenly angels up high in star-strewn sky

Sing blue-scale hallelujahs as lorries thunder by

Proost advent 13…

Today we have a brand new carol from Jonny Baker… I think he intends to get into a studio and record it, but for now offers this quick recordning along with an accompanying vid by Jon Birch.

I will also include sheet/chords for it here.

This is what Jonny had to say about how the carol came in to being.

I was inspired reading Isaiah 9 and in particular the imagery of verse 5:

The boots of the warrior and the uniforms bloodstained by war will all be burned. They will be fuel for the fire.

In a world with so much brutality and violence the image of a fire burning army boots and clothes of war struck a chord and a deep sense of advent longing for another possible world. That turned into lyrics for a carol or advent hymn ‘Smoke is rising’. The last verse is quoting Arundathi Roy which many of you will recognise.  Niall Dunne has written what I think is a beautiful melody. This came about through a chance conversation at CMS (Niall has started the undergrad pioneer training this year). I’d love any reactions to it. Even more I’d love any of you to try it out and lead it. Let me know how you get on if you do though it’s a bit late possibly for this year now. I imagine it with a huge church or choir but I don’t have one of those! 

My sister Ruth kindly has written out the melody and chords. I should add that the guitar tuning is DADGAD which sounds lovely. Hopefully you can work out what I am doing from the video if you go that route and like me are not used to that. That’s how I learned it from Niall. I should say I am singing it a bit lower than Niall as I struggled to reach the top note in F. Ruth has written chords in F and in D and unhelpfully I am playing it in E flat!

I have not had the time or kit to record it properly so this is recorded on a phone – thanks to Jon Birch for his steady hand (and gorgeous lounge). Maybe this will spark a new project?!

And double thanks to Jon who was inspired to make a movie loop of a fire of army boots and clothes of war which you can watch and download. When I have done the song (the sum total of one time so far) I have projected lyrics over that video looping which is pretty evocative.  Jon was one of the founders of proost with me (and Aad) so it felt great to collaborate for this proost advent series. 

Music and spirituality…

Photo by Vishnu R Nair on Pexels.com

This week and next week there will be two Proost podcast episodes released, featuring interviews with musicians. The first one (out already) is with the rather wonderful Ant Clifford, of the band Lofter. Next week we will hear from our lovely friend Yvonne Lyon.

These chats are part of our on-going pondering as to the shape and purpose of a revival of Proost, an old publishing organisation. It might be interesting to note that before the old Proost took on the role of publishing loads of written material, video and animation etc. it was first concieved of as a record label.

Photo by Eric Esma on Pexels.com

The questions we are trying to explore are some of these;

What role does music take in our spiritual lives? More than just soundtrack, might it actually shape us in real and meaningful ways? If so, how?

What kinds of music might we want to showcase? Who might help us navigate a world we know little about, particularly the music being made by non-white,non-male, non-middle-class people like us?

What is the difference between worship music and ‘music of the spirit’ of the kind we are most interested in?

Who is making this kind of music? Are there people out there who should be heard, but are struggling with an indifferent music money machine?

Is there a need for a simple network to support grass-roots music that seeks to make a difference?

Photo by Clem Onojeghuo on Pexels.com

We have an inkling (particularly following these two conversations) that musicians need connection, just like all artists do. In fact, there may be particular reasons why musicians need this more than most. The music business has taken such a pounding in the last few years. The rise of streaming services has placed all the earning power out of reach of all but the biggest stars, and the pandemic left many performing artists in a hole. Meanwhile rising energy costs are forcing many vanues that previously supported live music to close.

As Yvonne points out, music is also relational at heart. The image of the tortured bedroom genius, making tracks on a laptop, might have some basis in reality, but actually, music flies when it is made in community, when it sparks between different creative inputs on different instruments. It comes alive when people listen. It creates a space in which people can transcend, almost uniquely.

But it can also be a hard road, and musicians need one another.

Photo by Edward Eyer on Pexels.com

Music makes things different…

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It is true you know.

I was thinking about the impact of creative gentle songs, crafted and honed, sung simply and tenderly- just like those Yvonne and David Lyon treated us to last night. We are left physically, spiritually and emotionally changed.

So I am grateful.

Grateful to Yvonne, and also to all those other people whose music becomes the means that life can travel.

The turn of words and tune that wrap up memories in beautiful blankets.

Time capsules of grace.

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Some days you just need to listen to some Gospel music…

… and when those days come, reach for something – anything – by Mahalia Jackson.

This extraordinary woman chose to sing Gospel all her life- she could have sung whatever she wanted, with her incredible powerful voice. She would stand there, dressed like someones grandmother complete with church-hat, and then let rip. It was a force of nature that could break hard men somewhere inside. When asked why she sang Gospel she said this;

I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues when you finish, you still have the blues.

She sang before Martin Luther King gave THAT speech (and at his funeral) and her voice has power and authority even now that successive musicians have tried to borrow from- and mostly failed.

Today I need some Gospel music. Thanks Mahalia.

 

Bob Fraser releases THREE albums all at once!

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My old friend Bob Fraser has been remarkably productive of late. It is great to see him recording and gigging again.

I was singing Bob’s songs long before I knew him. He was the creative force behind a Christian rock group back in the 70’s called Canaan (check out this article for a retrospective.) He also wrote a number of worship songs that we sang in church- including one that became a standard called ‘You are the Rock on which I stand’.

Bob now has a new website, where you can order one of his three (yes, three!) new CD’s- including a Christmas themed one. I reckon that this means that Bob has now recorded at least 20 albums of his own, plus involvement in lots more- quite a musical legacy.

If you like easy going thoughtful country rock then check Bobs new stuff out!

Sam Hill Jr, new album…

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I am just sitting listening to Sams new Album, Cowboys and Moonbeams which arrived in the post today. Thanks Sam!

It it is sublime.

The musicianship is lovely, with all the ingredients that I love- fine guitar with understated piano and touches of dobro and steel. Much more however, the songs are saturated with a kind of broken beautiful humanity- the kind that breaks you open a little.

Sam Hill is one of the most talented musicians and songwriters I have ever heard. His back catalogue however is mostly many years old. In the interim he has been living a life blown around by tough things- and this is what these tender honest songs are about.

But when the last track is sung, life is enhanced for the listening.

The album will be available soon via Sam’s new website (online in the next few days.) Get yourself a copy, You will not regret it.

We hope that Sam (who was born in Scotland, but lives in Cornwall now, although with a Lancashire accent) will be coming up to Dunoon to do a living room gig. Watch this space…

Here is the only example of Sams work I could find on the net;