I loved this performance by the wonderful Canadian poet Shane Koyczan. The power of his words matched by the performance and delivery;
I loved this performance by the wonderful Canadian poet Shane Koyczan. The power of his words matched by the performance and delivery;
The poetic tradition is perhaps strongest of all in the Middle East- central to its telling of history, its spirituality, its love songs. Remember that the Bible too is a Middle Eastern document, which explains why (despite the efforts of the translators) around one third of its content was written in poetic form.
We might expect then that the recent troubles within the region might be reflected in poetry- the so called Arab Spring uprisings in Jordan and Egypt, the wars shattering Iraq and the on-going oppression of the Palestinian people.
If so, we hear little of it here in the West. The stories told of the region here are of violence, extremism, and the heroism of our troops.
However, I came across a series of films from AlJazeera called Artscape;Poets of Protest. This how the series describes itself;
Poets of Protest reflects the poet’s view of the change sweeping the Middle East through its intimate profiles of six contemporary writers as they struggle to lead, to interpret and to inspire.
Poetry lives and breathes in the Middle East as in few other places.
In a region long dominated by authoritarian regimes, poetry is the medium for expressing people’s hopes, dreams and frustrations. Poets became historians, journalists, entertainers – and even revolutionaries.
Ever since Tunisians chanted Abu al-Qasim al-Shabi’s If the People Wanted Life One Day poetry has been a key weapon of the Arab Spring, used to taunt regimes’ refusing to see the writing on the wall.
As the revolution spread to Egypt, it turned out that the writing on the wall was also poetry – graffiti by young artists painting the works of poets like al-Shabi or Egypt’s Ahmed Fouad Negm.
Poets of Protest focuses on the writers, their political and artistic struggles, and their work, with beautifully filmed visual interpretations of the poems.
As a matter of interest- this is the poem referred to above that the Tunisians chanted as a protest to their oppressors. Can you imagine a popular movement using poetry in this way in the West?
“The Will of Life” Abu al-Qasim al-Shabi’s done bySargon Boulat and Christopher MiddletonLife’s WillWhen people chooseTo live by life’s will,Fate can do nothing but give in;The night discards its veil,All shackles are undone.Whoever never feltLife celebrating himMust vanish like the mist;Whoever never feltSweeping through himThe glow of lifeSuccumbs to nothingness.This I was told by the secretVoice of All-Being:Wind roared in the mountains,Roared through valleys, under trees:“My goal, once I have set it,And put aside all caution,I must pursue to the end.Whoever shrinks from scaling the mountainLives out his life in potholes.”Then it was earth I questioned:“Mother, do you detest mankind?”And earth responded:“I bless people with high ambition,Who do not flinch at danger.I curse people out of step with time,People content to live like stone.No horizon nurtures a dead bird.A bee will choose to kiss a living flower.If my mothering heartWere not so tender,The dead would have no hiding placeIn those graves yonder.(Translated by Sargon Boulat and Christopher Middleton)This poem appeared in English translation in Salma Khadra Jayyusi’s anthology “Modern Arabic Poetry” (Columbia University Press)
Here are a couple of the films- you can view the rest here.
I am not sure about the poetry, but as protest it works very well!
Dear David Cameron,
Thank you for the advice on keeping down my heating bills
You said to wear a jumper to keep out the winter chills
I’m 75 years old, I’ve jumpers older than you!
But none of them do the job when it’s minus bloody two!
.
I’m actually ten years older than our beloved welfare state
I’ll outlive the thing if times keep on as they have of late
We used to have this quaint idea of solidarity
‘All for one and one for all’ got replaced by ‘me,me,me’
.
They sold off the utilities; thus privatising heat.
So now us old folks have to choose to warm our rooms or eat.
They sold off all the factories; they sold off all the mills
Now kids are lucky to find work scanning tin cans at tills
.
They sold off all our railways, and they gave away our trains
It made some folks a lot of cash, but we just felt the pains
They sold off schools and hospitals, now police stations too
Things once owned by all of us, now owned by the likes of you
.
For decades now your lot have sold what wasn’t yours to sell
Your gang of ham faced charlatans can go to bloody hell!
You tell us now we’re old and cold to ‘wrap up warm’. As ‘eck!
I’ll take my winter scarf and wrap it round your soddin’ neck!
.
You wouldn’t know a tough choice if it bit you in the arse
To be lectured by you on ‘making do’ is beyond a soddin’ farce
‘Wear extra clothes’ to save some cash? I’d love to, but alack…
You rotten thieving bastards stole the shirt right off my back.
.
Yours Shiveringly,
An Apocryphal OAP
Prince Charming
.
I am the watcher watching those who watch
The shop windows blink
A man walks solely to prevent falling forward
-mouths clenched-teeth fuckers to the phantoms in his head
No-one meets the eye of the invisible woman at the checkout
She has no knight-errant
.
I am gasping for air in your waters
A cartoon shark swims by, making speech bubbles through a posh phone
Three girls on sex-stilts clatter out canned laughter
A bus passes like high tide
Sweeping the street clear of flotsam
The ship did not come in
.
I am monochrome
The colours bleed in the yellow light
A fug of fast food hangs like sulphur in the evening air
As a man pulls hard on his cigarette, making a warning light from his face
A girl walks with pretended purpose into empty shadow
Still hoping for Prince Charming
My mate Graham posted this today- a lovely Martin Joseph song that I had not heard before;
The song plugs in to quite a few new and old thoughts/conversations. Time for an old poem I think, written for a Greenbelt worship event;
There is this story from the beginning of us
Of brothers who started to measure their relative success
It began with small things –
the domestic injustices, the long silencesOne brother loved the wild places
The freedom of the forest – to hunt the deer and gather the low fruit
He could bear no bordersThe other was a man of industry
He fenced the land
and turned the earth to fields
And the land was bountiful
His store houses were overflowing
In this he was vulnerableSomehow these things became a wall between them –
Leading to violence
And death..
You are placed under a curse and can no longer farm the soil. It has soaked up your brother’s blood as if it had opened its mouth to receive it when you killed him. If you try to grow crops, the soil will not produce anything; you will be a homeless wanderer on the earth.
And Cain said to the Lord,This punishment is too hard for me to bear. You are driving me off the land and away from your presence. I will be a homeless wanderer on the earth, and anyone who finds me will kill me.
But the Lord answered,
No. If anyone kills you, seven lives will be taken in revenge. So the Lord put a mark on Cain to warn anyone who met him not to kill him. And Cain went away from the Lord’s presence and lived in a land called –Wandering…
…which is east of Eden.
We think we were the first to ever feelThe first to dream of higher places
The first to fall
The first to scream at sharp things
The first to feel that indescribable sting
called loveThe first to make music
The first to feel shame shrinking
our callow souls
The first to seek the promised land
The first to eat from the tree
Called pubertyWe were not
Long before light could be conjured
by a switch
Men and women sat around fires and
dreamed of starflight
They rose high above the flat old earth
Pregnant with new possibilities
Favour rested on their fieldsBut every generation grows and leaves home
We make and break and forge our own magnificence
And these palaces we build need solid doors
To protect what is mine
From what you will never have
And we wander – marked like Cain
East of EdenSometimes it seems that you and me
Have spent forever
Looking for a way
Back
Seamus Heaney, perhaps the greatest living poet, died yesterday. I thought it appropriate to post some of his poetry…
Firstly, let us hear him read something- it gives some idea of the warmth and humour of the man;
Next, here are a couple of poems in word form. Almost always the best way to catch a poem in the soul. The first one about the process of writing (and so much more)
DiggingBetween my finger and my thumbThe squat pen rests; snug as a gun.Under my window, a clean rasping soundWhen the spade sinks into gravelly ground:My father, digging. I look downTill his straining rump among the flowerbedsBends low, comes up twenty years awayStooping in rhythm through potato drillsWhere he was digging.The coarse boot nestled on the lug, the shaftAgainst the inside knee was levered firmly.He rooted out tall tops, buried the bright edge deepTo scatter new potatoes that we picked,Loving their cool hardness in our hands.By God, the old man could handle a spade.Just like his old man.My grandfather cut more turf in a dayThan any other man on Toner’s bog.Once I carried him milk in a bottleCorked sloppily with paper. He straightened upTo drink it, then fell to right awayNicking and slicing neatly, heaving sodsOver his shoulder, going down and downFor the good turf. Digging.The cold smell of potato mould, the squelch and slapOf soggy peat, the curt cuts of an edgeThrough living roots awaken in my head.But I’ve no spade to follow men like them.Between my finger and my thumbThe squat pen rests.I’ll dig with it.Seamus Heaney,
“Digging” from Death of a Naturalist. Copyright 1966 by Seamus Heaney.
Next something far darker;
LimboFishermen at Ballyshannon
Netted an infant last night
Along with the salmon.
An illegitimate spawning,A small one thrown back
To the waters. But I’m sure
As she stood in the shallows
Ducking him tenderlyTill the frozen knobs of her wrists
Were dead as the gravel,
He was a minnow with hooks
Tearing her open.She waded in under
The sign of the cross.
He was hauled in with the fish.
Now limbo will beA cold glitter of souls
Through some far briny zone.
Even Christ’s palms, unhealed,
Smart and cannot fish there.
Next, something of Heaney’s courage in the face of the violence in Ireland;
Funeral Rites
I shouldered a kind of manhood
stepping in to lift the coffins
of dead relations.
They had been laid outin tainted rooms,
their eyelids glistening,
their dough-white hands
shackled in rosary beads.Their puffed knuckles
had unwrinkled, the nails
were darkened, the wrists
obediently sloped.The dulse-brown shroud,
the quilted satin cribs:
I knelt courteously
admiting it allas wax melted down
and veined the candles,
the flames hovering
to the women hovering
behind me.
And always, in a corner,
the coffin lid,
its nail-heads dressedwith little gleaming crosses.
Dear soapstone masks,
kissing their igloo brows
had to sufficebefore the nails were sunk
and the black glacier
of each funeral
pushed away.II
Now as news comes in
of each neighbourly murder
we pine for ceremony,
customary rhythms:the temperate footsteps
of a cortège, winding past
each blinded home.
I would restorethe great chambers of Boyne,
prepare a sepulchre
under the cupmarked stones.
Out of side-streets and bye-roadspurring family cars
nose into line,
the whole country tunes
to the muffled drummingof ten thousand engines.
Somnambulant women,
left behind, move
through emptied kitchensimagining our slow triumph
towards the mounds.
Quiet as a serpent
in its grassy boulevardthe procession drags its tail
out of the Gap of the North
as its head already enters
the megalithic doorway.III
When they have put the stone
back in its mouth
we will drive north again
past Strang and Carling fjordsthe cud of memory
allayed for once, arbitration
of the feud placated,
imagining those under the hilldisposed like Gunnar
who lay beautiful
inside his burial mound,
though dead by violenceand unavenged.
men said that he was chanting
verses about honour
and that four lights burnedin corners of the chamber:
which opened then, as he turned
with a joyful face
to look at the moon.
Finally, something that makes us live a moment with him in wild places;
PostscriptAnd some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open
Thanks to all of you who have sent in poems for this collection! We will now formally close the submission gateway on SUNDAY THE 18th AUGUST 2013- so if you are going to submit something, get on with it!
We now have poems from about 100 poets from all over the world and I have had a quick scan of most that have come in, and there are some great poems. Some have reduced me to tears- in a good way.
The next task is to break this down with the dreaded yes/no, then categorise it all to see what chapters need more material. We will then possibly need to go back to the people who have written poems we have chosen and ask them if they want to write something else for the categories that need more stuff.
So, we will be getting in touch over the next few weeks.
Just a word again to those whose poems we will not be including in this collection. Please remember that this is not a vote of no confidence in your writing- far from it- please write more! It is simply that we did not feel that your work quite fitted in with the collection. As we said previously we are simply not able to give any more feedback than this about work submitted- for obvious reasons of time, but also because we are not poetry critics – just fellow writers, with all the subjectivity that this brings to bear.
A bit of fun this- although laboured and rather too worthy.
I am still trying to write what I am calling ‘poetry of protest’ as mentioned here. This one might be more or less within the rules I set for myself then, but only just. Here it is anyway;
I do not agree
I do not agree with economists
Who monetise success
I do not agree that pounds or pence
Ever show us at our best
I do not agree the skin we’re in
Should make whom we’re becoming
I do not agree that some are born
To only test the plumbing
I do not agree with generals
Their guns can rot to rust
I do not agree, their meat machines
Cause in me disgust
I do not agree when those in power
Line the pockets of their friends
I do not agree that might is right
When the poor are thus condemned
I do not agree that we should comply
We are formed in evolution
I do not agree that nothing turns
This worlds in revolution