Crisis. Migrants massing at our borders. Fear ye!

I am wasting my time right? The only people who will read this already agree with me. Those that don’t won’t.

So I will write this for my own sake. It might be therapeutic. I only wish I could do more.

The BBC has reported two ‘crises’ over the Christmas period. The first of these was the ‘drone crisis’. The other was the ‘migrant crisis’. It struck me that there was a strange synergy between the two- the language used. The fear of the faceless inhuman other. The popular perception of an infringement on our ‘rights’ to continue with our small-island Britishness with no disruption.

The implication is clear. Migrants are not people- not people like us, anyway, so pull up the drawbridge. Build a wall.

It is too crowded here.

We are dealing with austerity; our NHS and our benefits system is already stretched to breaking point.

It was logical then, when faced with small boats landing scores (not thousands, as are landing elsewhere in Europe) of desperate souls on our beaches, for our Home Secretary to come home for holiday and shout ‘Crisis’. (The same Home Secretary whose family had also been migrants, during a time when conditions were less ‘hostile’.)

Next we had to listen to him wringing his hands with the most twisted piece of logic ever spewed on to a TV screen. Should we deploy more patrol ships to drive them off our shores, or would this attract more migrants because they would feel ‘safer’?

They aren’t like us, remember?

Perhaps they are not. Perhaps they have more compassion than that displayed by our government. One day we will look back in shame.

So, as a tiny, probably pointless act of resistance, I write this, and also offer you this song, in the faint hope that we remember that people are the same on the inside,

no matter the pigmentation of their skin,

or what accent flavours their almost-perfect English,

or what name they give to god.

The Great Spirit who made everything and holds everything together…

Dear friends, may this new year bring blessing.

It has already to me. Yesterday was a day full of people, late into the night. There were dear friends who were NOT there, and they were missed, but still we had music, dancing (we actually managed some ceilidh dancing in out living room!) and conversations late into the small hours of the new year.

Earlier we spend half a day with Yvonne and Raine, talking of art and how we might connect to something deeper. Both are already doing a pretty good job of this- Raine through her art- check out her lovely website here – and Yvonne through her music (her latest sublime offering- a collaboration with poet Stuart Henderson is a out now!) In our conversation, I was reminded of the power of objects, because we talked about something Michaela made.

It is one of my favourite objects. We call him Bird.

Bird is the last of his kind.

I love this creature, with his big feet and his jaunty beak. In case you think I am overstating, let me tell you more..

I remember an album, years ago, by the Mountain Goats, about a bird who was the last of his kind. The song I remember may or may not be this one, that is not important, but what is important is the meaning it carries. The song describes how the bird feels the rain falling and remembers the people he has loved and who have loved him so he decides that “I wont be afraid of anything ever again'”

Every time I look at Bird, I think of this. I hear the song. It makes me think that those of us who are outsiders, and look forward into the next year from the fringes of things, half hidden in case of exposure, need never be afraid ever again.

Because the Great Spirit who made everything

and holds everything together

is in us.

We, like Bird, are sacred.

So, let Birds everywhere shout


TFT Christmas card, 2018…

Dear friends, another Christmas is upon us. I offer you a picture I snapped in the summer of the youngest member of my family, asleep on his grandmother’s knee. Another beautiful child who emerged this year into our beautiful world. How we worry about the world they are inheriting.

But today, let us remember that at the centre of everything, there is light.


Not what we get, or what we give

Not even those things we smugly eschew

Not carol or tree or tinsel or plastic star

Not a table groaning with far too much

Not the food bank

Not tiny Tim

Not snow or the absence of snow

Not a fat man in a red felt suit

Not movies about ‘true spirit’

(that somehow avoid all mention of Christ)

It is a moment shared

A song that soars

A hope that deepens

It is a belief that at the end of everything

(despite all evidence to the contrary)

Goodness wins, and

Love remains.

On refusing the fear of doubt… an advent meditation


From the place where we are right
flowers will never grow
in the spring.

The place where we are right
is hard and trampled
like a yard.
But doubts and loves
dig up the world
like a mole, a plough.

And a whisper will be heard in the place
where the ruined
house once stood.

Yehuda Amichai

A few weeks ago, I had one of those conversations with one of my oldest friends. He had made a comment using Christian language that I no longer hear often, and I rather flippantly challenged it. This led to a two hour skype conversation that ranged far and wide over faith, doubt, the origins of the Bible and the meaning of faith and doubt. Unlike most of these discussions, my friend kept this one respectful and listened carefully to what I said, but I honestly think he was shocked be some of it. Perhaps he should not have been, because I have made no secret of my relationship to the spiritual discipline of doubt.

A few years ago I wrote about it on this blog. In hindsight, I remember it as a clear choice- I had spent so long fearing the loss of faith. There were so many thing about the tenets (both stated and unstated) of the religion I had known that bothered me, but for years I coped with this by NOT asking questions. It was easier to focus on the ritual, the shared practice, after all I was busy making music and facilitating the religious expression of others. When I moved to Scotland, it eventually became harder and harder to live with the contradictions however, and there came a point when I decided no longer to fear doubt, because if my faith was worth anything, it could survive my clumsy questions. Any faith named after the man who turned over tables in temples should have no sacred cows.

For a while it seemed as though my faith would wither and die- but it did not. If anything, it made me determined that ‘Truth’ would not be my theological straight jacket, rather it would set me free.

Not that we should ever pretend that this will be easy…

Truth is hard to come by
Harder than Love

Love is hard to recognise
harder than Need

Need is hard to justify
Harder than Dreams

Dreams are hard to testify
Harder than Hopes

Hopes are hard to simplify
Harder than Choice

Choices are hard to live by
Hardest of all.

Tommy Randell

So where has all this doubting taken me? Ten years ago, I started to read voraciously. I discovered other famous doubters, including many who had been grouped together under the (now curiously dated) label of ’emerging church’. Sacred cows started to wander off into distant pastures. We could list them- all those totemic beliefs that we use to define of theological positions. We could display them as sliders and tick of our position on the spectrum of belief (perhaps we started to do this in that conversation with my friend mentioned above) but it would all be a waste of time, because I simply do not think this is the correct way to measure faith.

If faith has value, it has to transcend religion.

Does that make sense? Let me try again.

Religion codifies belief. Think of it as a magnificent cathedral, built from once-molten rock, carved and shaped and rigid. But even though faith might be helped by the shapes and spaces created, faith is not stone.

I stood before this edifice of faith

And it was magnificent –

The curve of the certain arch

The immovable pillars

The knowing eye in all this carving

The soaring ceiling shaped by countless songs of praise

But there was this penetrating drip of doubt

I could ignore it for a little while

Until the swelling laths shed horse hair plaster

And the stalactites point down from on high

The end of everything

Like any fool under falling stone all I could do was move

Out into the sunlight and the gentle rain

Looking backwards to see what might still be standing

Whether it might be anything more than just a

Magnificent ruin

But a ruin holds age with pride

Through the open vault light falls dappled into shadow

And the song of birds blows in on the wind

Chris Goan

Some will rightly accuse me of descending into just a post-modern, pick and mix, me-first faith, in which I have shaped God to fit in with my needs, wants and prejudices. I say ‘rightly’ because we ALL do this, myself included.

This is why I must also doubt the God I have created. 

This is why I must also set aside the distractions of doctrinal correctness and stop pretending that ‘truth’ is more important than love. I must doubt that kind of truth, particularly when it is mine.

After all, if we read the gospels, is this not the preeminent message of Jesus? 

This is not a surrender to unbelief, it is the promotion of a higher mission. One that is much harder.

A time for the sent ones of God
To follow the rough roads
Into the barren broken places
To look for the marks left by Jesus
On the soft tissue
And brittle bones
Of the Imago Dei
The stinking, wretched
Image bearers of the Living God

Time for the revolutionaries of God
To follow the long hard march
Unyoked and with easy burdens
Looking for the soft places where people are
Where freedom flickers
Where hopes soar
And we seek out the Participatio Christi
With weak but willing hands and sore feet
Learning to partake in the labours of love

Chris Goan

As advent unfolds, may our walk towards faith be not shadowed by unbelief. Rather may the tread of doubt take us closer towards love.

In which I go out to sea…

Well, almost.

In that true West of Scotland tradition, I have a few jobs these days. I love the way that these things come together- a conversation in the pub, a meeting in the street. A few hours work and a few quid in the pocket. One of them involves ships and the sea…

Imagine. A lifetime spent working in offices, then suddenly finding yourself hauling heavy ropes attached to floating steel mountains.

There is a NATO oil depot near where I live. The whole hillside above it is honeycombed with massive tanks and there is a constant ebb and flow of ships collecting and delivering oil. Tankers and Fleet auxiliaries mostly, from all sorts of countries. Docking depends on a small vessel collecting mooring lines and towing them to ‘dolphins’, which are anchor points attached to the sea bed. Someone not very bright (me) then carries the line up a ladder and attaches it to bollards. 

Sounds easy huh? It is- on a fine day. Quite the loveliest job in the world. But it is not always like that. Yesterday, for example, the wind was gusting to 50 mph and Stuart, the skipper, had to use his considerable skill to fight wind and waves to locate the boat whilst we donkeys timed our leap, ropes over our shoulder. Intrepid me…

It really is not that dramatic, but I keep taking photos with my phone so I thought I would share a few.

Who would have thought- from Social Work Manager to clumsy stevedore. 

Dear friends- those of you who still tread the drudgery of work that feels like it is killing you. Another life IS possible, because my work may kill me, but I think I will die happy.

Another bloomin’ book plug…

I know. I always get all “Christmas is too commercial” at this time of year. Then I plug a book. Let me explain myself….

A few years ago, I got a call from my mate Si Smith, who had an idea for an Advent collaboration. He brought together photographer Steve Broadway, meditation-maker Ian Adams and poetry from yours truly to make a book entitled We who still wait. The book offers photographs, a poem and a meditation for each day of advent, and is intended to allow us to reflect on the unfolding season.

These blokes should have a bit more of an introduction;

Steve is based down in Bristol. We have never met, despite collaborating on a couple of different things, via ‘tinternet and through mutual friendship with Si. He is a man of huge talents, with both pen and lens. You can see his prodigious daily output on his blog here.

Ian is poet of national reputation, who works to support people developing their own spiritual practices, via a whole range of lovely creative methods. He writes a daily meditation called ‘Morning Bell’, accessed via social media. You can find out about him via his Beloved Life site.

In the end, Si Smith contented himself with curating the book rather than employing his own considerable talents as an artist, illustrator and graphic novelist. Increasingly he seems to spend a lot of time encouraging other artists, making spaces for them, but you really should check out some of Si’s own work here. I would give special mention to the fantastic How to disappear completely.

Exalted company. Male company too- which is strange in my line of work. Most of the creative people I work with are women. I am not sure how this ‘maleness’ shaped the project, but it seems important to me, not for any exclusive paternalism, but because I found myself in the company of men like me. Men whose lives had meandered but continued to be driven by a creative search for something deeper. 

Anyway, why am I banging on about this now? 

Because Proost have a new edition out. It is now in A4 size, giving much more space for the pictures to come alive. It was a total surprise to me as I only found out about the new edition via twitter, communication not being a Proost strong point. I ordered a copy and it is lovely. 

Of course, as I re read poems I wrote quickly a few years ago, there are things I would change, but still the words I wrote move me. This is as much as I can ask. My poetry is rarely technical, it is emotional. 

So, in a totally non-commercial kind of way, I wondered if you might like to order your own? 

I do so in humility, but at the same time, confident in the company I keep. 

You can order it as a download, or as a physical copy, here. (There are lots of other advent resources available from Proost, including other work by Si and Ian, here.)

May the words, the images and the emotions stay with you as another Christmas approaches.

Baalam’s Ass
Numbers 22:21-38

“Look! It’s there!
Can’t you see it?
Wings like thunderclouds
Eyes like searchlights
Robes spun from the last rays of the summer sun
It is either a fairy pumped up on steroids
Or a feckin’ Angel
Not an allegorical one either.”
So it was that the living God
Sent a mighty Angel
To play hide and seek with a Donkey
So that a pagan sorcerer
Could speak out holy words
To confound all Israel.
And a whole sky-choir
Of heavenly creatures



Roy Bailey died recently- a great man; a sociologist and folk singer, who had a long career, singing songs that revealed the history of working people.

Roy came from the fine tradition of agitators, and we need them more than ever.

Here he is singing a Woody Guthrie song, updated by Terry Andrews.

RIP Roy. Others will sing your songs.

I received this song from Terry Andrews in August 2017. During my concert at Towersey Festival later that month, I decided to sing the song as I knew Terry was in the audience. My anxiety was overcome by the rapturous response of the audience to the song. I and Terry were overcome by the acceptance not only of the song but of the humanity of the message it contains. So many people urged me to put the song on to YouTube. We all agreed to make this possible by filming the performance you see here. I am grateful to Martin Simpson for his beautiful guitar playing which he spontaneously offered without any rehearsal. It is remarkable to me that he can do this. Also to Marc Block who finds appropriate harmonies to this and so many songs I choose to sing, similarly with little or no rehearsal. I am also grateful to Marc, for without him agreeing too play, sing and drive me everywhere around the country I would not be still able to sing wherever I’m invited. As I say, often(!) he has extended my shelf-life as a singer at concerts and Festivals. Finally, my admiration for his technical skills and his love of folk song to Richard (Ich) Mowatt of Sounding Post Studio for arranging the recording and filming of this performance of Terry’s song. My heartfelt thanks to all of you for your support and encouragement of my continuing attempts at singing the stories I choose to perform and to you the audiences who continue to support me wherever I am invited to sing.