Wilderness retreat 2026, Camas

Regular readers of this blog will be familiar with our May bank holiday tradition of making a ‘wilderness retreat’. It is something that precious community has formed around- a combination of friendship, authenticity, spirituality (of a very non religious kind,) laughter and much silliness. We have accompanied each other through decades now, welcoming some for just one time,others for the long haul. In many ways, these lovely people are my ‘church’.

We have seen each other through brokenness, grief, new jobs, parenthood, grandparenthood, marriages and divorces, serious illnesses of both physical and and mental. We have come at our lowest, then next year, we tentatively tell different stories.

My feeling now is that we will do this as long as we can. We are not perfect. The tone can be entirely unsuitable for polite company, but then we cry together. We sit around fires and share hopes and dreams. We abuse each other as means of celebrating shared belonging and we open spaces for moments of simple kindness, immediately followed by a rude joke.

This year, I failed in attempts to find a boat to take us to the sorts of island locations that have been our normal places of retreat – uninhabited wild places, often with their traditions of hermits caves and ancient chapels. Instead, my friends indulged my suggestion that we do something different, allowing me to combine different parts of my life.

So it was that we pitched our tents outside Camas.

If you have never heard of this place, let me give you some of the rich history. 70 years ago, the Iona Community (which began as a project providing meaningful work for those hungry in pre-war Glasgow by rebuilding the Abbey on Iona) took on an old salmon fishing station on Mull. It was a challenging place to get to, and remains so even to this day, as it is in every sense of the words ‘off grid’. It requires a half hour walk from the road over bogland, then down into a welcoming valley towards an inlet – previously netted for Salmon – which was famous as the place where the the Stevensons quarried the Granite blocks for their famous lighthouses.

70 years ago, George MacLeod, the forceful patriarch of what became the Iona Community, was looking for somewhere to allow young people to experience wild community away from the slums of Glasgow. They used an old Mill building for a while, but eventually they found their way to Camas. Back then it was mostly used for groups of Borstal boys, who actually ran the salmon nets.

I heard a story from back then of someone who was a young 21 year-old volunteer, sent down to cook at Camas with next to no experience. At the time, Camas had no plumbing and water was collected from a burn that ran next to the buildings. A young lad, on his first ever foray out of the city, was sent out to fill the kettle. Tea was brewed and poured… then spat out with cries of disgust. The lad had filled the kettle from the sea. not knowing any better. This placed changed lives.

Generations passed through, and Camas became a place of retreat for groups of young people from all over the place. Often this was their first experience of wildnerness, their first time testing themselves with community, their first time sitting in the Chapel of the nets and sharing hopes and dreams in a place where God was no longer abstract.

Camas became one of those places where that beautiful-ordinary sacredness of earth and soul was simply more obvious.

If you are interested to find out more about Camas, then Rachel McCann has pulled together a wonderful book that brings together stories from all sorts of people who have made their way ‘down the track’.

Over the decades, Camas has developed considerably. Increasingly it used outdoor pursuits, climbing, kayaking, swimming, sailing to help young people (and older groups) to make their adventures. Trees were planted, creating an oasis as the wild creatures found it and stayed. A garden was dug. Polytunnels were established. There is solar and wind power – even hot water and… a pizza oven that makes the best pizzas I have ever eaten.

In recent years, Camas has fallen on some tough times. Problems with the roof led to temporary closure, but thanks to one of my neighbours David (a fellow wilderness retreatant) connections were made with a roofer in our village who will be working on the roof right now. David has worked as a gardener at Camas for two periods- with a 30 year gap. All roads lead to Camas in these parts it would seem.

As ever, part of the challenge in keeping Camas open is a financial one – not just for repairs and maintenance, but it has always run at a deficit, being supported by wider funds from within the Iona Community. This is increasingly difficult and so the Community have started something called Camas Companions, asking those who can to support the work with some monthly donations.

In a time of such inequality and so many charities are struggling, perhaps you might still feel that Camas has something special to offer in the future, not only to groups of young people, but perhaps as a place for reconnecting to earth and soul for older people too.

As part of our ‘rent’ for using Camas for our retreat I asked my friends to help bring some slates over the bog in wheel barrows. I worried I might be exploting them, but in the end, we all loved the oportunity to contribute something to the continuance of this wonderful place. We also repaired things, planted spuds in the lazy beds and cleaned whatever we could. It feels like Camas is almost ready to fling wide its arms once more.

As we gathered on arrival, we sat together in a circle and took in the surroundings in silence, after which I asked this;

If the earth could speak, what would it say?

What if we arrive here, not as strangers?

What if the ground welcomes us?

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Is that so hard to believe? If so, why?

Something about us- our otherness?

Something about ownership?

Something about separation?

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But what if the same ‘am-ness’ that is in all things is also in our own souls?

What if we are not defined most crucially by our differences but rather by our deep (even forgotten) connection to that which is also within the soil of this place, in the air of this place, in those trees, in that water, in the feathers of the birds, in the stones of this old building?

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So I ask again, if this earth could speak, what would it say to us?

Dearest beloved , before you came to this place, I knew you

We are not the same, but we are one

Dearest beloved, I have missed you. I have longed for you

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And now you are here.

Tell me your name

And I will whisper mine in return.

New Proost poetry podcast with Kenneth Steven…

The other day I had the great pleasure of making a journey into deep Argyll, over Loch Fyne by ferry (whilst it was still dark) then up to the Isle of Seil, to meet with poet, novelist and artist Kenneth Steven. The pretext of this visit was to record a podcast, but the truth is, it was about time we met! Two blokes, both about the same age, both living in Argyll, both writing poetry inspired by the spirituality of wild places – oh and we have connection to Iona and the Iona community too. How was it that we did not already know each other?

Kenneth and his wife Kristina were the perfect hosts- despite an earlier failed attempt to record over the internet which I messed up by getting the time wrong! They live in a beautiful place and I very much enjoyed our chat. We hope you do too!

You can listen on Spotify, Apple or Youtube – Here is the spotify link;

If you don’t already know Kenneth’s work, here is the blurb from his website.

Kenneth Steven is first and always a poet. To survive as a ⁠literary author⁠ he’s had to become many other things as a writer – he translated the Norwegian novel The Half Brother, he’s a children’s picture book and story writer, he’s an essayist and a feature writer – but it’s poetry and the love of poetry that lies at the heart of it all. His volume of selected poems Iona appeared from Paraclete Press in the States a couple of years ago. His numerous collections have sold many thousands of copies, and he has a strong name as a poet thanks to the poetry-related features he’s written and presented over long years: his programme A Requiem for St Kilda having won a Sony Gold for Radio 4.

His poetry has been inspired primarily by place. He grew up on the edge of the Scottish Highlands with a profound awareness of that world: his mother’s people were Gaelic speakers from Wester and Easter Ross. It’s the wildscape of Highland Scotland that pours through his pen.

It’s that same wildscape he seeks to capture as a ⁠painter⁠. He and his wife Kristina live on the Scottish west coast, and it’s the ever-changing colours of sea and sky he loves so much: the myriad blues and the incredible beauty of the light.

Kenneth runs his own podcast, available to those who support his work through patreon- we very much encourage any of you who are able to reach out. We need out poets more than ever!

You can connect with the wonderful ⁠Imagining Things podcast here.⁠

Kenneth’s website with links to many of his books and paintings that are available⁠ is here.

Where the streams come from- poetry/soundscape release…

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As part of our Greenbelt installation, we put together some soundtracks of poetry and field recordings/sound scapes around wilderness themes- Sea, Woodland, River. The intention was to project them onto sculptural representations of the three locations using ultrasonic speakers, but the technology let us down somewhat, not to mention the appalling weather conditions.
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Anyway, rather than letting it go to waste, the poetry soundscapes are being released by Proost as an audio download. Each one is around 10-11 mins long.
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You can download it here for the bargain price of £1.99.
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This is the Proost blurb;
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Poetry and meditations by Chris Goan and read by members of Aoradh.

All streams flow into the sea yet the sea is never full.
To the place the streams come from, there they will return.
(Ecclesiastes 1:7)
This collection of poems and meditation was first created for an installation used at Greenbelt Festival, but could be used for both personal and collective meditation. It combines soundscapes recorded in wilderness locations with poetry by Chris Goan and read by members of Aoradh, a community based in Dunoon, Argyll. The voices used in these recordings range from people aged 8 to 78 and with many different accents;
Netta Shannon, Simon Richardson, Helen Richardson, Emily Goan, Michaela Goan, Chris Goan, Sharon Barnard, Audrey Forest, Nick Smith, Paul Beautyman, Skye Beautyman.
Aoradh (meaning ‘adoration’) is shaped in many ways by our location and the wild places that surround us. It seeps into the words we write, and becomes the place where we seek to make worship and pilgrimage; from beach Pentecost bonfires to wilderness retreats on tiny islands.
The three meditation are as follows;
1. Sea.  Soundscapes recorded on a beach on the northern shore of Iona, and supplemented by further recordings made on the shoreline near Dunoon.
2. Woodland. Soundscapes recorded in woodland behind Chris’s house in Dunoon and on an early spring morning along Loch Striven, Cowal Peninsula.
3. River. Soundscapes recorded near streams flowing down into Loch Eck, Cowal Peninsular and Pucks Glen, near Dunoon.
Price: £1.99

One step from eternity…

We have just been here;

Along with some friends, we spent the long weekend camping on the Ross of Mull, overlooking Iona- which is the most beautiful place I have ever been to.

And here is the evidence;

We walked a lot, swam, ate, cooked bread and baked spuds in makeshift ovens made of sand and driftwood fires.

Whilst there we heard of the mother of one of us having become seriously ill in hospital. The distance and ferries stopped any rush to her bedside- all that was possible was to stay and pray. To sit in such beauty with such a burden must have been an incredible rush of emotions- but it felt as though the place, and our community, was holding us.

We are delayed only by our hearts beating.

And each one beats with all the treasure of the universe.