Opening tomorrow; The Collective…

The collective pop up shop dunoon

We are entering another chapter- not really sure where it will take us, but then I have never been great at that planning thing. Whilst I am back doing the salaried wage slaving for a while, Michaela has been hard at work inspiring and curating a new project in Dunoon involving a pop up shop selling art and crafts.

Along with about a dozen other makers and creators, they have more or less started a craft co-operative around this new space- the idea is that everyone clubs together the cost of the rent, insurance etc and takes turns on a rota to actually staff the shop.

Sounds simple doesn’t it? The reality has been lots of hard work. They set up a core team of people who would plan things, negotiated with the shop owner and the property agent, then spent days painting and preparing the shop and sorting out the systems required to make it run.

I have to say it looks really lovely.

So if you are local and want to find some gifts that have been locally lovingly crafted, check out The Collective!

You can give them a like on FB too- search for ‘The Collective pop up shop’.

Finally, we are starting the process of converting our ReCreate website into an on-line shop. There is quite a lot of Michaela’s pottery there already, and more will be added as time unfolds…

Here are a few photos I took in the shop yesterday…

Some local creativity…

crafts

This weekend we are participating in Cowal Open Studios (along with Pauline Beautyman and her lovely pottery.) Come along and have a look if you are local…

COS is a collection of artists/crafty people on the Cowal peninsular who have ‘open house’ this weekend, allowing people to come visit, talk about techniques, methods and even have a go (in the pottery in our case.)  Here is our dining room at the moment;

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It is also a chance to sell some things. I could have sold this several times over it seems- messing about with some little ceramic fish and some battered old driftwood. Still, if you want one, I can always make more!driftwood clockIn terms of local arty stuff, I should also mention that next Thursday at 7.00 I am doing a poetry reading at our local bookshop, Bookpoint. Be lovely to see you there! I should post a poem in celebration really…

I do not really do celebratory poems but here is an old one anyway;

 

Life still flickers

 

I have heard it said that

Dead men walking

We are

Corporeal

Tenderised

Like veal

Blown by flies

 

But life still flickers

Faint but strong

Vibrating these hollow veins

And the voltage you make

Is a current

Wired to the nape

Of my neck

 

Because this thing we are

Is more than just

A bottle

For blood

So much more than just

Shapes

Mixed from mud

 

Beautiful creature

Sing, spirit-

Sing

 

Save Dunoon Pier…

Dunoon pier, late autumn light

Dunoon has this lovely old wooden pier at it’s centre, jutting out into the Clyde Estuary – a relic from the golden age of Clyde Steamers, when half of Glasgow took their trips doon the watter. In fact, the pier is the last surviving one of it’s type.

We have been fortunate enough to use some of the old buildings on the pier for worship/art events in the past. Piers are lovely places- neither one thing nor the other and lend themselves well to art/worship/meditation. Check out this event for instance.

Out of the front door, Dunoon pier

 

A couple of years ago the pier lost it’s purpose as a working landing place for the ferries- partly because of a new linkspan, but also because there is not longer a car ferry link to the town centre. It needs a fortune spending on it, and we are watching it’s slow decline into the sea, despite it being a listed building of national importance.

You can help raise concern about this pier by signing the petition intended to put pressure on Argyll and Bute council to find the resources to actually do something with the pier- to bring it back to life again…

 

Yvonne Lyon- living room gig…

Yvonne-Lyon-web

What are you doing with your Saturday night (tomorrow.) Nothing special?

If you live within striking distance of Dunoon, there are still a few tickets left to come and hear Yvonne Lyon sing in our house. A tenner each for a beautiful music in an intimate and relaxed setting.

If you have not come across Yvonne’s music before (why ever not?!) then you are in an increasing minority. This is what some others have to say about it;

‘just stunning music’

– Bob Harris, Radio 2

‘listening to Yvonne is a life affirming experience. She is the bees-knees!’

– Iain Anderson, BBC Radio Scotland

‘a fine voice…a fine album and one that is refreshingly positive’

– The Telegraph

‘this is an awesome level of talent that I cannot compare’

– Maverick Magazine – 5 stars

‘Yvonne Lyon’s continually developing songwriting sets her right at the top of the tree‘

– R2 Magazine

‘Yvonne Lyon is a wonderful talent, and name I urge you, no make that command you, to jot down in your diary. Be sure to check her out because here is a lady with class.  

– Americana UK

Yvonne is about to support Eddi Reader on her UK tour, so is used to big venues- however, hearing this intimate delicate and poetic music close up is something else- in Dunoon of all places.

Here is Yvonne and her husband David, as a taster, singing a song that has reduced me to tears;

Cowal Open Studios…

crafts1

Despite all the uncertainties in relation to our house (which will go on the market in the next couple of weeks) we have committed ourselves to being part of the wonderful Cowal Open Studios event again in September this year. It feels ever more important to hold on to the vision of making life through simple creative means…

Our page on the website is here.

Taking photos of the things we make always proves something of a challenge. I ended up making another collage of a variety of things made by Michaela, myself and our friend Pauline Beautyman (with whom Michaela runs workshops.) I quite like the result.

Talking of workshops, Michaela and Pauline are running a ‘Hand Made Craft Fair’ in Dunoon on the 22nd of March. It will also be a chance to do some hands on things too- they will be running sessions of various crafts throughout the day. I will share some more details later…

Here is one of my Clyde Puffers, made from bits of driftwood and the odd bit of copper heating pipe;

driftwood puffer

 

Last ferry leaving…

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Last ferry leaving

 

I used to laugh at the Holy Hooverers

Those for whom God is an

Escape pod

From this sinful slough we live in

Called Earth.

 

But why would you ever want to leave the light

Through spring leaves;

The translucent skin that barely contains

What babies will be;

The gentle rain falling,

Falling?

 

But days like today will force a revelation;

I could do with a distant angel trump

If he will have me,

I am rapture-ready

 

I would wait

By some crystaled sea

For the last ferry

Leaving

 

 

What’s in a name? Jim Crow Rock again…

Western ferries passing jim crow

Regular readers will be aware of this stone on Dunoon’s foreshore, close to my house. You will also be aware that I have tried to engage in debate locally about it’s origins, given that it carries two markers that have clear racist associations- it is decorated with familiar ‘Blackface‘ markings, and is labelled ‘Jim Crow Stone’.

This debate continues to be a rather difficult one as the rock divides people fiercely. Those who tend to object to the rock are more typically ‘incomers’ who are not thought by locals to have a right to comment. For their part, they grew up with the stone, as an innocent backdrop to playing on the shore. For them it was a crow, not a racist statement.

I wrote a letter to the local paper a couple of weeks ago, in the wake of the death of Nelson Mandela, suggesting a information board, where we might discuss the different opinions about the rock, and talk about the slave connection through Clyde trade, as well as the Blackface minstrel shows that happened in this area. To be honest, I did this with some trepidation as I expected to get a bit of a kicking from outraged locals.

However, this has not happened. Most conversations I have had with people have been broadly supportive of the idea. There was only one letter in the paper in opposition- and this one concerned itself with the history of the rock. The correspondent insisted that the rock could NOT be racist as it’s name pre-dated the ‘Jim Crow Laws’ in the USA.

There does appear to be some evidence of the name ‘Jim Crow Stane’ on early charts- as if it was used as a navigational marker, as early as the 1700’s.

However to suggest that this closes the argument, that the markings on the rock then become innocent, is clearly (in my view) nonsense. Folklore gets changed and adopted according to the mores of the times. The name of the rock, and the use of the term ‘Jim Crow’ as a pejorative label may (or may not) come from an era before the decoration, but the association with racist images and ideas does not. T

I wrote a reply for the local paper- again I do not know if they will publish it. Here it is though;

Dear Editor

Thanks very much to John A Stirling for his thoughtful reply to my previous letter suggesting an information board next to Jim Crow rock. John appears to believe that the historical points he makes close the argument about the origins of the decorations on the rock. I am afraid they simply do not. History is rarely value free and in this instance, far more complex than what John would have us believe.

John suggests that the rock cannot have racist connotations as its name pre-exists the Jim Crow laws in America. However this ignores the fact that these laws were grouped under the name ‘Jim Crow’ precisely because this was a pre-existing pejorative name that had been in common usage for Black people since at least the beginning of the 19th C. The song ‘Jump Jim Crow’ (written in 1828) perhaps popularised this stereotype but it is more likely to predate the song considerably.

The words ‘Jim Crow’ fell out of common usage possibly because they became increasingly associated with racist laws adopted by most States, and which were gradually removed from American statute over a period of 50 years of protest by brave people, some of whom lost their lives in the process. Previously ‘Jim Crow’ would have been used in the same way as the word ‘nigger’. Are we really happy to give unexamined space on our shores to such words?

Even if John is right, and the name of the rock pre-dates racist associations, the ‘blackface’ image that is painted on it now remains one that Black people recognise immediately as a racist stereotype. Again- do not take my word for it, ask the Jim Crow Museum (who have expressed horror at our rock) or the Racial Equality Unit.

Whatever the debate around this rock, at present it stands as a potentially offensive historical oddity. It will continue to divide us into people who are troubled by what it represents and others who fiercely defend it as an innocent local folklore.

Once again however, if we were to put up a display making clear the nature of this debate, perhaps we might yet transform the rock into something that both John and I can take mutual pride in. We can keep the rock in place, celebrate it even- whilst also owning the darker parts of our history.

A little lower than the Angels…

angel

 

Psalm 8:5-9

from The Message

5-8 Yet we’ve so narrowly missed being gods,
bright with Eden’s dawn light.
You put us in charge of your handcrafted world,
repeated to us your Genesis-charge,
Made us lords of sheep and cattle,
even animals out in the wild,
Birds flying and fish swimming,
whales singing in the ocean deeps.

9 God, brilliant Lord,
your name echoes around the world.

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Dear Dunoon Observer…

jimcrow03

 

Following on from yesterdays post, I sent a letter to our local paper. This is not something I make a habit of- in fact this will only be the second such letter I have sent. The previous one was not published- and was triggered by the same issue.

At that point I took exception to a rather poorly researched story in the paper after the rock’s Golliwog face has been painted over by a protester. (NO- it was not me, although some of me wishes it was.) It made no reference whatsoever to the Blackface tradition, nor to the objections raised to the decoration on the rock by others, not least the Racial Equality Unit.

Today I sent this to the editor. I am expecting a backlash- lots of people will be very angry. However, I walk past this stone several times a day, and each time it makes slightly ashamed.

Letter for Dunoon Observer

6.12.13

 

Dear Editor

The death of Nelson Mandela seems like a very good time to take another look at some of our own racist history. In doing so we very soon have to concede that the prosperity of this area owes much to international trade; shipping, sugar, tobacco and slavery. It is to the credit of Britain that as well as participating in slave trading we did much to end this practice at the beginning of the 19th Century. However, many would argue that we replaced slavery with Colonialism.

Alongside this, our attitudes towards the non-white people of the world has often been to view them as less-than. We supported this with entrenched prejudice and even with the so called ‘science’ of eugenics. These ideas found expression in our politics (segregation, apartheid) and also in our popular culture.

One of the most pervasive cultural carriers of this prejudice were the ‘Blackface’ caricatures that developed the world over- the Golliwogs, the Minstrel shows, Zvarte Piet and Jim Crow. Understanding how these have been a channel for racism is not easy, but they are commonly understood to allow culture to reduce the feared outsider to a figure of derision. A feckless, chicken loving, sexualised layabout who steals washing from the line, but is good at singing and dancing.

Which brings us to our own Jim Crow Rock, Only in Argyll does anyone seriously suggest that this has no racist origins. The Jim Crow museum in the USA expressed horror, the Racial Equality Unit is clear about its ‘Blackface’ beginnings, outsiders stand and look puzzled. When confronted with these outside perspectives, our response has often been to become angry and defensive, refusing to engage in any real discussion about the origins of the rock.

So, here is a suggestion; as a memorial to the late great Nelson Mandela, why do we not invest in an information board on the foreshore next to the rock? It could say some of these things;

It could acknowledge the local controversy, and disagreements about the origins of the decoration. It could deal with the role of the Clyde in the slave trade. It could talk about Blackface caricatures and the minstrel shows that were performed here in Dunoon’s heyday. It could talk about the Jim Crow Laws in America, and how they enforced segregation, prejudice and apartheid.

Above all, it could transform a local curiosity from something that is at best controversial (if not downright offensive) into something that we can all feel pride in the ownership of once more.

Yours sincerely

 

Chris Goan

Hunters Quay

jim crow prejudice